Re:view: “Hitler, Verwoerd, Mandela and Me” by Marianne Thamm

I recently finished reading the Dutch translation of Hitler, Verwoerd, Mandela and Me (2016) by the South African journalist Marianne Thamm. The Dutch title doesn’t namedrop these famous figures; instead, it translates to “The Unbearable Whiteness of Being”, which, let’s be real, would make a really … Continue reading Re:view: “Hitler, Verwoerd, Mandela and Me” by Marianne Thamm

Re:visit: In the footsteps of ‘Band of Brothers’ [guest blog]

I’m proud to publish Re:war’s first guest blog, written by Lindsey Bannister (UK). Lindsey and I share a love for the HBO show Band of Brothers, which follows a company of US paratroopers from D-day to VE-day. Lindsey and her friend Jo have been touring significant locations from World War II for years, following in the footsteps of the soldiers portrayed in the show.


Re:member: #NeverForget, from Auschwitz to 9/11

When I logged onto Twitter on the morning of September 11, the first thing that caught my eye was the trending hashtag #neverforget. I wondered briefly why these two words were trending – then, of course, I remembered it was 9/11. The reason I was confused is because I primarily associate the words ‘Never forget’ with the Holocaust, and Auschwitz in particular. I thought it would be interesting to delve into the history of this slogan, and to examine why it has become more universal in American culture.


Re:visit: women, war memorials, and five female sculptors who took on World War II

Just over a month ago I was in Washington DC, where I visited the Vietnam Veterans Memorial. It was one of the attractions I was really excited to see. The memorial is on the National Mall and thus part of the open-air timeline of American history, together with the many other monuments and the Smithsonian museums. But the Vietnam Veterans Memorial is in a league of its own, especially when compared to the nearby World War II memorial. As it turns out, war memorials designed and/or sculpted by women are few and far between. I wonder why?


Re:wind: women remembering the fallen at Stalingrad

Earlier this week, I came across an online documentary in parts made by de Volkskrant, a Dutch newspaper. It’s called Generatie Poetin (‘Generation Putin’) and was made for the occasion of the FIFA World Cup; each episode takes place in one of the playing cities. It’s about young people in Russia today: those who were born during Putin’s regime and are now old enough to vote in the upcoming election. There was one fragment that struck me. It was about a girl in her twenties called Nastja. As a volunteer, she exhumes the graves of German and Russian soldiers on the plains near Stalingrad, modern-day Volgograd, which in 1942 became the stage for the biggest and bloodiest battle of the European theatre of WWII.

I’m not sure if the English subtitles on Youtube work for everyone, so I’ve provided a transcript below just in case.


Re:member – an interview with Marine Hannon

When I put out a request for unusual stories about the war two weeks ago, I was contacted almost immediately by Marine Hannon, who wanted to share a very special story about her connection to the war and those who fought in it. Though her story has already been covered online (link) (link), I wanted to interview her and hear her thoughts about what it’s like being a young woman for whom the Second World War still very much dominates the present. Marine grew up with a clear idea of the war as an antecedent to her own life, not just something that happened a long time ago, but an event that made the world what it is today and continues to touch millions of lives. Her parents were very serious about the duty of memory and making their children realise how lucky they were to be free.


My story

Hello and welcome to The Re:war Project, an online platform about the Second World War and the culture surrounding it. Re:war aims to rewind, rethink and respond to the war and the ways in which we interact with it today, to educate those in the present about little known facts and ideas about the conflict, and to give a spotlight to anyone who doesn’t consider themselves the ‘target audience’ of war media. But first, let me tell you a little bit about how I got this idea.